The Romantic Poet as a Nature Poet

During the Romantic completion, the nonion of spirit played an enormous office staff within poetry, and I ask that Romantic poets represent personality in terms of the subtilize. I will explore the sublimity of spirit in the two poems Ode to the western Wind (1819) by Percy Bysshe Shelley and trigger Four and Five of The correspond of the Ancient Mariner (1797) by Samuel Taylor Coleridge and the surrounding anxieties of the era that caused genius to be one of the important focuses of the Romantic poets. I concord chosen these two peculiar(prenominal) poems because I trust they two effectively portray genius in a sublime way.\nOn first status of whether the Romantic poet is in position predominantly a constitution poet it is imperative to understand the social, historical and theoretical contexts of the era. Margaret Drabble states that the Romantic stay stretches from 1770 to 18481 and during this short quantify frame there was a immense change in thinking. T his change was so vast that Isaiah Berlin argues Romanticism is the greatest wholeness shift in the cognisance of the West that has occurred.2 The Romantic period saw a establish away from earlier depth scientific concludeing and consistent rationality. Romantics challenged towards a more inward, deeper, subconscious mind answer for their questions they were asking, as they believed reason cannot explain everything.3 However, what gains weight to the Romantics rewrite in thinking is that it was not just poets who embraced this change, it was also back up by writers of other literary forms, philosophers, musicians and fine artists. But why was it that the Romantic poets were so spell-bound with nature? I believe that it is due to three anxieties of the time. Firstly, and most(prenominal) importantly was the industrial revolution. The industrial revolution saw a move away from the rural, as the provincial landscape oft became urban and industrialised pastime advances in a gricultur[al]4 technologies, make jobs ...